What is music? Many of today's top artists and scholars grapple with the question in this cinematic look at a uniquely human obsession. The Heart is a Drum Machine is a new feature documentary film project from the producers of Moog.

A man begins to suspect that his long-distance girlfriend, whom he met online but has never met in person, has been living in the same city the whole time and sets out to find her.

A machine built to be a warrior is at home on the battlefield but its life is threatened when its heart can’t handle falling in love.

《创伤是一台时光机》（Trauma is a Time Machine）探讨了海伦（Helen）在恋爱关系中因遭受强奸创伤而自我毁灭及治愈的过程。她经历了许多不同的阶段，其中包括模仿加害者的行为，试图以此理解自己所遭遇的一切。

Where the Heart Is was an American soap opera telecast on the CBS television network from September 8, 1969 to March 23, 1973. Created by Lou Scofield and Margaret DePriest, the program ran for 25 minutes, the remaining five minutes of its timeslot ceded to a CBS news break.Scofield and DePriest were the original head writers. A year after the soap’s premiere, they were succeeded by Pat Falken Smith. In 1972, Smith was replaced by Claire Labine and Paul Avila Mayer. The series was produced by Tom Donovan and directed by Richard Dunlap.

A wealthy businessman shows his young adult kids how tough life can be.

Arno Tali's son Arnold returns to his homeland Paunvere, which ignites a passionate love triangle between Paunvere's young Toots', Kiir's and Teele's. Despite the restrictions of the occupation period, people party, have fun and fight, youthful bravado does not allow itself to be tamed even in dangerous times.

Dissatisfied with life with Jack, Penny offers a home to baby Zero and his homeless mother.

With the resurgence of taonga pūoro, one musical instrument remains conspicuously absent from Māori music —pahū (drum). In this documentary Te Pahū, composer Hirini Melbourne (ONZM) and ethnologist Te Warena Taua trace the history of pahū, from musical accompaniment to being the manawa (heart) of communication and communities. Musicians and carvers bring to life the lost beat of pahū by creating a version using modern techniques. Pioneering Māori filmmaker Merata Mita (Patu!) directed Te Pahū, while Rawiri Paratene (Whale Rider) co-wrote and produced it.

According to the play of the same name of A. N. Ostrovsky. The merchants already possess the big equities. Money "runs the show". The world of feelings and hearts is degraded.